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Description
On set Emobi blended into the background so completely you could barely find her. Using depth of field and crossing diagonals really helped pull her into the foreground.
Post Production: Adjusted highlights equivalent to a full exposure stop, and midtones roughly half stop. Shifted black point to eliminate exposure noise.
This was shot on a Cannon I borrowed from ^wynnesome for the day, and while I love my Nikon, the Cannon color interpretation software tends to shoot UV colors in more accurate shades.
Model: Emobi
Blacklight Paints: ^Battledress
Shot while instructing the May 31st 2009 "Back in Blacklight" workshop hosted by D.M. Gremlin Studios.
Post Production: Adjusted highlights equivalent to a full exposure stop, and midtones roughly half stop. Shifted black point to eliminate exposure noise.
This was shot on a Cannon I borrowed from ^wynnesome for the day, and while I love my Nikon, the Cannon color interpretation software tends to shoot UV colors in more accurate shades.
Model: Emobi
Blacklight Paints: ^Battledress
Shot while instructing the May 31st 2009 "Back in Blacklight" workshop hosted by D.M. Gremlin Studios.
Image size
672x1008px 520.91 KB
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Awesome